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<channel>
	<title>Lucas Pisano</title>
	<link>https://lucaspisano.art</link>
	<description>Lucas Pisano</description>
	<pubDate>Wed, 22 Jun 2022 12:10:58 +0000</pubDate>
	<generator>https://lucaspisano.art</generator>
	<language>en</language>
	
		
	<item>
		<title>Portfolio ART</title>
				
		<link>https://lucaspisano.art/Portfolio-ART</link>

		<pubDate>Mon, 06 Dec 2021 19:52:45 +0000</pubDate>

		<dc:creator>Lucas Pisano</dc:creator>

		<guid isPermaLink="true">https://lucaspisano.art/Portfolio-ART</guid>

		<description>
	LUCAS PISANO


	












  
 ︎
    
      SPA
      ING
      
    
  









-&#38;nbsp; &#38;nbsp;CUMULI


-&#38;nbsp; &#38;nbsp;IPERTELIA E ECCEDENZA&#38;nbsp;

-&#38;nbsp; &#38;nbsp;CARTOGRAFIA
 

-&#38;nbsp; &#38;nbsp;MATERIALE PER UNA SVENDITA
-&#38;nbsp; &#38;nbsp;COSTRUZIONE (asistematica) &#38;nbsp; &#38;nbsp; &#38;nbsp;di “Il colpo non arriva mai da dove ce lo aspettiamo”

-&#38;nbsp; &#38;nbsp;COSTRUZIONE&#38;nbsp; N°11 (instalazione)
-&#38;nbsp; &#38;nbsp;ESPERIMENTO ELIOTROPICO


-&#38;nbsp; &#38;nbsp;USO E ABUSO

-&#38;nbsp; &#38;nbsp;FIORITURE
-&#38;nbsp; &#38;nbsp;GEOGRAFIE - Movimenti giornalieri di una penna
-&#38;nbsp; &#38;nbsp;CASSE
-&#38;nbsp; &#38;nbsp;MAPPATURA




 ︎&#38;nbsp; &#38;nbsp;ILLUSTRAZIONI




︎&#38;nbsp; &#38;nbsp;BIO &#38;nbsp; ︎&#38;nbsp; &#38;nbsp;CONTACT
</description>
		
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	<item>
		<title>Grease impregnation on paper Cumulus</title>
				
		<link>https://lucaspisano.art/Grease-impregnation-on-paper-Cumulus</link>

		<pubDate>Sat, 25 Jul 2020 15:11:33 +0000</pubDate>

		<dc:creator>Lucas Pisano</dc:creator>

		<guid isPermaLink="true">https://lucaspisano.art/Grease-impregnation-on-paper-Cumulus</guid>

		<description>
	
Grease impregnation on paper &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ︎︎


Cúmulus 
2015 - 2018︎ Texts


	
&#60;img width="1984" height="1430" width_o="1984" height_o="1430" data-src="https://freight.cargo.site/t/original/i/1b9971c31d5cad49c18f6d4c04a11f1e3a821284b58b433909f53694f5ba9a11/15.jpg" data-mid="78320383" border="0"  src="https://freight.cargo.site/w/1000/i/1b9971c31d5cad49c18f6d4c04a11f1e3a821284b58b433909f53694f5ba9a11/15.jpg" /&#62;
&#60;img width="1984" height="1428" width_o="1984" height_o="1428" data-src="https://freight.cargo.site/t/original/i/524d9e1e36a293eccc6c344c4d4621e300fd2c9f832ae28b12e60bdb2547d7d7/17.jpg" data-mid="78320385" border="0"  src="https://freight.cargo.site/w/1000/i/524d9e1e36a293eccc6c344c4d4621e300fd2c9f832ae28b12e60bdb2547d7d7/17.jpg" /&#62;
&#60;img width="1984" height="1428" width_o="1984" height_o="1428" data-src="https://freight.cargo.site/t/original/i/2c0fb6e63e0698fdeb519f4a3ff17efe69fa4e3d5c0ad45e42cac522b42b643c/16.jpg" data-mid="78320384" border="0"  src="https://freight.cargo.site/w/1000/i/2c0fb6e63e0698fdeb519f4a3ff17efe69fa4e3d5c0ad45e42cac522b42b643c/16.jpg" /&#62;
&#60;img width="1984" height="1407" width_o="1984" height_o="1407" data-src="https://freight.cargo.site/t/original/i/95bd189b4dcc99d570b19d4b02eb2b2a32a787275176b3a2f1b142bf2a6ab5f7/18.jpg" data-mid="78320386" border="0"  src="https://freight.cargo.site/w/1000/i/95bd189b4dcc99d570b19d4b02eb2b2a32a787275176b3a2f1b142bf2a6ab5f7/18.jpg" /&#62;
&#60;img width="1984" height="1422" width_o="1984" height_o="1422" data-src="https://freight.cargo.site/t/original/i/99ce31e54e4056ee2006820b9b345e5b9bac0e838db644d2a7924ea275db0918/22.jpg" data-mid="78320390" border="0"  src="https://freight.cargo.site/w/1000/i/99ce31e54e4056ee2006820b9b345e5b9bac0e838db644d2a7924ea275db0918/22.jpg" /&#62;


CUMULUS N° 15 / 22 / 17 / 16 / 18 - Graphite grease on paper. 30 x &#38;nbsp;40 cm. 2015 - 2016






	

&#60;img width="1969" height="1354" width_o="1969" height_o="1354" data-src="https://freight.cargo.site/t/original/i/47e1800424a2debe6df5d2af297416ac6dba2dc8c5f06e8df2867dd8fa80044a/33.jpg" data-mid="78320398" border="0"  src="https://freight.cargo.site/w/1000/i/47e1800424a2debe6df5d2af297416ac6dba2dc8c5f06e8df2867dd8fa80044a/33.jpg" /&#62;
CUMULUS N°33 - Graphite grease on paper.

 76 x 112 cm. 2018



&#60;img width="1969" height="1335" width_o="1969" height_o="1335" data-src="https://freight.cargo.site/t/original/i/4dae22cb4749f361e0cc29424adc858e64b69b29eb5e112d8ac0b2abfee55386/34CMULO-2019.jpg" data-mid="78320399" border="0"  src="https://freight.cargo.site/w/1000/i/4dae22cb4749f361e0cc29424adc858e64b69b29eb5e112d8ac0b2abfee55386/34CMULO-2019.jpg" /&#62;


CUMULUS N°34 or The conquest of permanence - Graphite grease on paper. 76 x 112 cm. 2018




	

&#60;img width="1143" height="1575" width_o="1143" height_o="1575" data-src="https://freight.cargo.site/t/original/i/694391166905a16d22b611f5401422e5e915bec35ae551cae11b06388b2c8fb4/01.jpg" data-mid="78320401" border="0"  src="https://freight.cargo.site/w/1000/i/694391166905a16d22b611f5401422e5e915bec35ae551cae11b06388b2c8fb4/01.jpg" /&#62;
&#60;img width="1149" height="1575" width_o="1149" height_o="1575" data-src="https://freight.cargo.site/t/original/i/7e8b717951a6344bd425348bc0d0b148d00f66f8e31a2812ca353d87f068b8be/02.jpg" data-mid="78320402" border="0"  src="https://freight.cargo.site/w/1000/i/7e8b717951a6344bd425348bc0d0b148d00f66f8e31a2812ca353d87f068b8be/02.jpg" /&#62;
&#60;img width="1140" height="1575" width_o="1140" height_o="1575" data-src="https://freight.cargo.site/t/original/i/98b6c6f8f4365e42217dec4188412d3af4f47d18952be7cbea6a68ede91437dc/03.jpg" data-mid="78320403" border="0"  src="https://freight.cargo.site/w/1000/i/98b6c6f8f4365e42217dec4188412d3af4f47d18952be7cbea6a68ede91437dc/03.jpg" /&#62;





CUMULUS N° 38 / 39 / 37 - Graphite grease on paper. 35 x 50 cm. 2019


	
&#60;img width="1984" height="1345" width_o="1984" height_o="1345" data-src="https://freight.cargo.site/t/original/i/f052e0dfde81eac1c88c2eb4baf38f03da166d561763d8b0fd33c7945e3ad587/03.jpg" data-mid="78320368" border="0"  src="https://freight.cargo.site/w/1000/i/f052e0dfde81eac1c88c2eb4baf38f03da166d561763d8b0fd33c7945e3ad587/03.jpg" /&#62;
&#60;img width="1984" height="1356" width_o="1984" height_o="1356" data-src="https://freight.cargo.site/t/original/i/34d328cc62b4226755f5230047db6d0fd0df0167b03432d7c6ab77755e8115c3/11.jpg" data-mid="78320378" border="0"  src="https://freight.cargo.site/w/1000/i/34d328cc62b4226755f5230047db6d0fd0df0167b03432d7c6ab77755e8115c3/11.jpg" /&#62;
&#60;img width="1984" height="1348" width_o="1984" height_o="1348" data-src="https://freight.cargo.site/t/original/i/104b629497dda03d4fb1085cfbe66af4bed56bec4fbfab83b4ca723acbd48907/07.jpg" data-mid="78320374" border="0"  src="https://freight.cargo.site/w/1000/i/104b629497dda03d4fb1085cfbe66af4bed56bec4fbfab83b4ca723acbd48907/07.jpg" /&#62;
&#60;img width="1984" height="1352" width_o="1984" height_o="1352" data-src="https://freight.cargo.site/t/original/i/6a240348b53817d13e383c2ce28cff7f56223f969aab386a08d14ca9ecfa8054/09.jpg" data-mid="78320376" border="0"  src="https://freight.cargo.site/w/1000/i/6a240348b53817d13e383c2ce28cff7f56223f969aab386a08d14ca9ecfa8054/09.jpg" /&#62;
&#60;img width="1984" height="1346" width_o="1984" height_o="1346" data-src="https://freight.cargo.site/t/original/i/a616beb6ef4809ea3974d45f5c03d74db3d8018c23715a266eae1e39e651496b/08.jpg" data-mid="78320375" border="0"  src="https://freight.cargo.site/w/1000/i/a616beb6ef4809ea3974d45f5c03d74db3d8018c23715a266eae1e39e651496b/08.jpg" /&#62;
&#60;img width="1984" height="1341" width_o="1984" height_o="1341" data-src="https://freight.cargo.site/t/original/i/317462e15e1a33c124d872b4b5eec9ba813cc788d3502f8ab7cb78219919aa5e/12.jpg" data-mid="78320380" border="0"  src="https://freight.cargo.site/w/1000/i/317462e15e1a33c124d872b4b5eec9ba813cc788d3502f8ab7cb78219919aa5e/12.jpg" /&#62;
&#60;img width="1984" height="1356" width_o="1984" height_o="1356" data-src="https://freight.cargo.site/t/original/i/43395e60c6f0abb0cae5452eb1e36f5460246e43175dbc50918d3a52072ec30b/10.jpg" data-mid="78320377" border="0"  src="https://freight.cargo.site/w/1000/i/43395e60c6f0abb0cae5452eb1e36f5460246e43175dbc50918d3a52072ec30b/10.jpg" /&#62;
&#60;img width="1984" height="1349" width_o="1984" height_o="1349" data-src="https://freight.cargo.site/t/original/i/49c5d76a980225ff57c2566e975920c2943be8100521f482044b62e70bcb4576/04.jpg" data-mid="78320369" border="0"  src="https://freight.cargo.site/w/1000/i/49c5d76a980225ff57c2566e975920c2943be8100521f482044b62e70bcb4576/04.jpg" /&#62;
&#60;img width="1984" height="1359" width_o="1984" height_o="1359" data-src="https://freight.cargo.site/t/original/i/0f4bf960c4098dd32081dacf2e0bd64da98622bdd04770b2e69eb4995803f7d1/05.jpg" data-mid="78320371" border="0"  src="https://freight.cargo.site/w/1000/i/0f4bf960c4098dd32081dacf2e0bd64da98622bdd04770b2e69eb4995803f7d1/05.jpg" /&#62;
&#60;img width="1984" height="1352" width_o="1984" height_o="1352" data-src="https://freight.cargo.site/t/original/i/18d277a65815a978600fef48e6ef78d09bb3b78561fcf010474482cabb73f02d/02-b.jpg" data-mid="78320367" border="0"  src="https://freight.cargo.site/w/1000/i/18d277a65815a978600fef48e6ef78d09bb3b78561fcf010474482cabb73f02d/02-b.jpg" /&#62;
&#60;img width="1984" height="1349" width_o="1984" height_o="1349" data-src="https://freight.cargo.site/t/original/i/20e8b4dac275ec20f5dac1d0b963c6367c9fde9a06eaab7ec786612b921d04ed/13.jpg" data-mid="78320381" border="0"  src="https://freight.cargo.site/w/1000/i/20e8b4dac275ec20f5dac1d0b963c6367c9fde9a06eaab7ec786612b921d04ed/13.jpg" /&#62;

CUMULUS N°3 / 11 / 7 / 9 / 8 / 12 / 10 / 04 / 05 / 32 / 13 - Graphite grease on paper.

 19 x&#38;nbsp; 28 cm. 2015.










	
&#60;img width="1984" height="1443" width_o="1984" height_o="1443" data-src="https://freight.cargo.site/t/original/i/b18806a0f3a536fc0e2155c3de689bcb847a4a9087245a1bee9338946445176a/27.jpg" data-mid="78320394" border="0"  src="https://freight.cargo.site/w/1000/i/b18806a0f3a536fc0e2155c3de689bcb847a4a9087245a1bee9338946445176a/27.jpg" /&#62;
&#60;img width="1984" height="1439" width_o="1984" height_o="1439" data-src="https://freight.cargo.site/t/original/i/ea7e5dc2f31e9b77b935c223895948d087a3e12c21e5aff3c8032eebc9590d7f/30.jpg" data-mid="78320366" border="0"  src="https://freight.cargo.site/w/1000/i/ea7e5dc2f31e9b77b935c223895948d087a3e12c21e5aff3c8032eebc9590d7f/30.jpg" /&#62;
&#60;img width="1984" height="1416" width_o="1984" height_o="1416" data-src="https://freight.cargo.site/t/original/i/47a9268c609d5ca621f85a461efa264cc9903cf81bf17812d0336e3080247514/19.jpg" data-mid="78320388" border="0"  src="https://freight.cargo.site/w/1000/i/47a9268c609d5ca621f85a461efa264cc9903cf81bf17812d0336e3080247514/19.jpg" /&#62;
&#60;img width="1984" height="1414" width_o="1984" height_o="1414" data-src="https://freight.cargo.site/t/original/i/5e208e49faf688aed4dd166067cf24592d738a609ea326d0c7b0361133c30679/20.jpg" data-mid="78320389" border="0"  src="https://freight.cargo.site/w/1000/i/5e208e49faf688aed4dd166067cf24592d738a609ea326d0c7b0361133c30679/20.jpg" /&#62;
&#60;img width="1984" height="1413" width_o="1984" height_o="1413" data-src="https://freight.cargo.site/t/original/i/b8efcf5c576c1fd6f77764874221ac0d12555618a24f1c4df974c92f046ff03c/25.jpg" data-mid="78320392" border="0"  src="https://freight.cargo.site/w/1000/i/b8efcf5c576c1fd6f77764874221ac0d12555618a24f1c4df974c92f046ff03c/25.jpg" /&#62;
&#60;img width="1984" height="1438" width_o="1984" height_o="1438" data-src="https://freight.cargo.site/t/original/i/43313ae94430f5214da2529b3034bf57e12e33afa348509ff146e2b78bbf6f9d/26.jpg" data-mid="78320393" border="0"  src="https://freight.cargo.site/w/1000/i/43313ae94430f5214da2529b3034bf57e12e33afa348509ff146e2b78bbf6f9d/26.jpg" /&#62;


CUMULUS N° 27 / 30 / 19 / 20 / 25 / 26 - Políptico - Graphite grease and vaseline grease with 
oil on paper.

. 30 x &#38;nbsp;40 cm. 2015
</description>
		
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	<item>
		<title>Text Cumulus ENGLISH</title>
				
		<link>https://lucaspisano.art/Text-Cumulus-ENGLISH</link>

		<pubDate>Mon, 20 Jul 2020 22:49:12 +0000</pubDate>

		<dc:creator>Lucas Pisano</dc:creator>

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Grease impregnation on paper

 


	

&#38;nbsp; &#38;nbsp;&#38;nbsp; ︎︎







Cumulus



Texts made for the catalog of the exhibitions CUMULUS - GREACE IMPREGNATION ON PAPER

 in the Gallery 704 Art Office in the city of Buenos Aires in 2016 and in Seismic Space in the city of Buenos Aires in 2018.










Text by Patricio Diego Suárez


	
THE INDISCERNIBLE AS A PREMISE

In Lucas Pisano's work there is an insistence and a position taking linked to the materials. As if the materials, far from being inert, gave the virtual information necessary to organize tensions and build a concept around the image. The exercise of an intelligence that is articulated between acting body and matter, magmatic zone from which the indications of a language arise. Compositional strategy that brings us closer to the Baconian idea of accident : that singular event that breaks into the creative process and generates a kind of involuntary precision at the image level that from the subjective will would be impossible to achieve.

In the case of Pisano, the accidental became, with the years of activity, a working premise. Compose without a preliminary sketch, understand that the time stamps of the work have to be preserved, follow only vectors. Aggregation, sweeping, cleaning procedures: generate a body-mass and then crush it, cut it, attack it. Move the body-matter that tends to the image, make incisions, until it is almost completely erased to reach the gesture, the trace. And that the footprint remains as evidence of a temporary process on an unpredictable game of variations. The relationship between desire, pictorial imagery and matter. Paraphrasing Lamborghini : patience, ass and error.




STAIN AND FIGURE

Cumulus clouds obsessively probes the boundary between the stain and the figurative.&#38;nbsp;The figurative illusion is conquered but from a precariousness of the image that is a direct result of the material itself: the fat with its diffuse limits retains a suggestive ambiguity and associative resonances that are not closed in a totalizing sense.&#38;nbsp;The eye is caught by a pendulum movement, a wave vibration that travels bouncing between a stable territory of optical illusion to an indiscernible zone of representative dissolution.The elements that serve as a framework for action are some basic ideas of structure: the support of the paper affected by the grease patina, the scratched background, the texture of the paper, fabric or wood. A plane of consistency, a ring, as a condition of possibility of that line of action to be discovered.&#38;nbsp;Then the meticulous work with matter, of action and reaction, attack and defense.&#38;nbsp;A microscopic mining from which the gesture emerges as an open sign, indiscernible information that exceeds the optical organization of the image, and provokes a game of resonances between the recognizable and the unrecognizable: a body-figure that on its borders seems defined, but that inside is a multitude.

Pisano goes straight to the forces: it is in the folds of the paper texture that the physical twisting of the body appears. There is no representative humanization of paper, cloth or wood, it is in the violence of the breaks that organic writhing appears, the intestinal movement, due to the same weight of the material that resists its flattening.&#38;nbsp;And it is also in the irregularities of the texture of the cloth or the paper where the figurative indication of the human body appears: a body-cloth, a body-paper, a body-image.&#38;nbsp;In summary, the development of a pictorial operation that manages to sustain two or more levels of sensitive and visual reading in a simultaneous movement.

In other words, what happens at the concrete level of matter with its resistances, is preserved at the formal level of the image. At the same moment that we are spectators of&#38;nbsp;a wooden mountain, the pupil takes a sudden turn for approach and the image recovers the literalness of the matter, reveals the artifice, the planes become independent of the composition, the fat imposes itself to smear the&#38;nbsp;cancha.Gracias&#38;nbsp;this procedure the activity of the eye expands, the narrative construction work is like an image viewer that despite ostensible figurative possess traits, not consolidated or closed image.&#38;nbsp;That zone of&#38;nbsp;indiscernibility&#38;nbsp;is the hook that the image tends to activate historical discourses, of moral or class sensitivity in the viewer: beggars, garbage dumps, poverty and precariousness.&#38;nbsp;However, this narrative field is still an associative recreation of the observer.&#38;nbsp;All we have in sight are only clues at the border of the figurative and the non-figurative.


ÍCON AND DROP


There is a clear decision to preserve this ambiguity that goes beyond the particular resistance of fat and enters a conceptual level that directly discusses with the voracious, fast and apathetic mode from which we are linked with images today. Or on the contrary, the subjective mechanisms promoted by social networks and the logic of visibility, where the image of ourselves is postulated as the only index of existence.

In the case of Lucas Pisano, the conscious&#38;nbsp;work&#38;nbsp;on the indiscernible and his picaresque gesture of leading him to the place of the iconic, can be read as a taking of a position against this problem.&#38;nbsp;What questions does the cluster that is always in the center of the compositions radiate, establishing a kind of target shooting,&#38;nbsp;is it here&#38;nbsp;?&#38;nbsp;That pile of organized matter becomes an icon, but in the place where we are accustomed to reading the net referentiality of the product, we come across an area of figurative collapse.&#38;nbsp;A landscape of waste and landfill does not open, there is a pictorial synthesis that makes waste a baroque icon, a bubbling totem, a decomposing religious symbol.

The iconic character also derives from the photographic aesthetics of the series, fostered by black and white and the treatment of depth. Without straining the imagination too much, they could be post-war stock photos or some non-existent civilization.&#38;nbsp;However, the photographic does not arise from a polished image where the pictorial gesture disappears, but on the contrary, it is made up of the depth generated by the palimpsest of planes that preserve the accumulation of matter.&#38;nbsp;Another wink.&#38;nbsp;What makes the work photographic is not the illustrative perfection procedure, but the imaginary of the photographic culture, the visual education of photography that works as a lens through which the viewer faces the painting.

We could intuit in this work the overflight of a historical impression of catastrophe, the evidence of an overproduction towards nothingness and ruin as an aesthetic discovery. Cumulus&#38;nbsp;leads the waste to the level of the auric, presents what supposedly has no place as the focus of space or scene.&#38;nbsp;Pile of dirt that becomes center of gravity and acquires the character of an&#38;nbsp;advertising&#38;nbsp;effigy. On&#38;nbsp;the podium of the consumable object we are spectators of an indiscernible cluster that expels its demolition, contamination and precarious aesthetics.&#38;nbsp;And this, what do you eat with? 





	
Text by Sol Fantin


The disturbing power of the material




In the series of works that make up the Cumulus&#38;nbsp;work&#38;nbsp;, there is a subtle sense of humor.&#38;nbsp;Black humor, of course.&#38;nbsp;There where one, as a spectator, thinks she is sure of what she is seeing, there is a&#38;nbsp;gap&#38;nbsp;, a mistake, an error, which reveals to what extent the gaze projects what it decides to project onto a material surface (even if it is decided without realizing it ).

Each of the pieces in the series shows an accumulation of discarded materials, of garbage, an accumulation&#38;nbsp;of waste in the shape of a pyramid, in the center of a scene that does not refer to anything outside of itself: it is the non-space from which products are displayed for consumption.&#38;nbsp;In several of these works, in the accumulation of garbage (wood or cloth or newsprint) the crouched, twisted, convoluted form of a body is glimpsed.&#38;nbsp;Living body or corpse?&#38;nbsp;Impossible to know, but without a doubt: discard body, like the discard material that covers it.

Obscene vision (literally: what should be out of the picture&#38;nbsp;) that is nevertheless exhibited in any corner of a big city: the human body reduced to waste.&#38;nbsp;But the body itself is not seen.&#38;nbsp;Are you naked?&#38;nbsp;Are you masturbating?&#38;nbsp;Is crying?&#38;nbsp;Are you dying?&#38;nbsp;Are you laughing?&#38;nbsp;Not known.&#38;nbsp;When I walk down the street and see that pile of garbage that nevertheless hides a body&#38;nbsp;similar&#38;nbsp;to mine, I look away: out of modesty, out of fear, out of impotence, out of habit.&#38;nbsp;Cumulus&#38;nbsp;forces the gaze to be directed directly towards that point of darkness, towards the forcefulness of the thing that is there, and that perhaps is not just a thing.&#38;nbsp;But in the case of&#38;nbsp;Cumulus&#38;nbsp;, it is an image, there is nobody there: we can look without the risk of being questioned by the living.&#38;nbsp;Without feeling guilty for what we could and are not doing, without the weight of the decision to be indifferent or not.&#38;nbsp;We can look like a&#38;nbsp;voyeur&#38;nbsp;, who perhaps looks like looking for himself in a mirror.

The impact is largely due to the photographic appearance of the works. Photography is a plastic genre that abuses plausibility, the desire for mimesis, the phantasmagoria of the impossible presence of what is represented.&#38;nbsp;That myth that the&#38;nbsp;good&#38;nbsp;savages&#38;nbsp;(&#38;nbsp;Roussonian&#38;nbsp;speaking) feared that their souls would be stolen when photographed only reveals our archaic terror of ghosts.&#38;nbsp;To those who return from somewhere beyond to claim their due.&#38;nbsp;So the tremendous unease at&#38;nbsp;what&#38;nbsp;seems like the photograph of a body buried under newspapers or dirty fabrics.&#38;nbsp;That body and I are not sharing the world now, but we could have shared it.&#38;nbsp;That body buried in trash was&#38;nbsp;real&#38;nbsp;.

Cumulus recalls photography from the forties, or even earlier.&#38;nbsp;The first documentary records of the human in its most abject dimension: the piles of corpses from the death camps, for example.&#38;nbsp;The human body reduced to material that accumulates.&#38;nbsp;What you see in&#38;nbsp;Cumulus&#38;nbsp;is, ironically, the reverse of the consumer product: the waste that should be on the sidelines, but enthroned at the center of the scene.&#38;nbsp;Does the museum device or the art institution make this image a new consumer product, reintroducing it to the market through a kind of cruelty aesthetic?&#38;nbsp;The viewer is questioned by this question and corroded by its resonances, all uncomfortable. 

And yet, the aesthetic experience is in its preliminaries. The engines are hot, now we are ready for what follows: warn and accept that there is no photograph.&#38;nbsp;There is not even drawing or painting in the traditional sense.&#38;nbsp;The design of the trash heap that shows through a body is an effect produced by the distribution of industrial greases on a porous surface.&#38;nbsp;A material that does not belong to the repertoire of artistically consecrated materials, manipulated by means of combs and other objects, has produced the visual effect of what I thought I saw, that bothered me to see, that I accepted as a&#38;nbsp;thing there&#38;nbsp;, without realizing that it was I who did it. projected.

Fat makes you fat: your visibility in a body makes you precisely obscene, in the sense that you are exiled to the territory of the taboo, from what should not be seen.&#38;nbsp;A good body has no visible fat.&#38;nbsp;Fat messes, smears, ruins.&#38;nbsp;And yet it is necessary.&#38;nbsp;Fat is a material from the world of work, not from the world of leisure.&#38;nbsp;Fat is not fine, it is not pretty, it is not&#38;nbsp;comme-il-faut&#38;nbsp;.&#38;nbsp;The fat is&#38;nbsp;thick&#38;nbsp;, it is suburban, it is the one that greases Carlos de la Púa's crest, because beware: the poetics of fat has its high tradition.&#38;nbsp;Lucas Pisano is a great reader of&#38;nbsp;Perlongher&#38;nbsp;(I know, I saw his copy of complete works worn out by so much reading): the fat is like the mud of the&#38;nbsp;neo-&#38;nbsp;mud&#38;nbsp;, and a fat that suggests a corpse is a fat that is saying that&#38;nbsp;there are corpses&#38;nbsp;.

There is no photo, there is no drawing, there is no limpid support on which a line tries to reproduce an image of reality. There is a layer of grease manipulated with combs on a porous surface, and there is an image in my spectator brain that is projected there and that sees what it is used to seeing, perhaps what in the background you want to see, because the prohibition of looking at Facing the abject generates that&#38;nbsp;culpogenic&#38;nbsp;desire&#38;nbsp;that the phantom projects: that body that has become trash, the reverse of the object of consumption, which I may well be myself.&#38;nbsp;I may well be myself, what a mess.

So a lot of grease staining a rough paper is a mirror. Here is the black humor, and here is the critical power of&#38;nbsp;Cumulus&#38;nbsp;, at the point where I, the spectator, ask myself, closing a circle (one turn of the spiral): Are not all the mirror images where I project my terrors, my favorite masks, the reverse of my conscience or their totems?&#38;nbsp;The advertising image, the journalistic image, the public intimacy of my photos on the social network, the documentary image and the artistic image, all those images, all confused in a common space increasingly governed by the logic of the show, are they not perhaps produced by my own gaze, which feeds on them but also creates them, in a symbiosis that can only be exited through a question?&#38;nbsp;And what is that question?The pretense of omnipresence of images in our contemporary urban lives, together with its great sophistication, should not lead us to believe that the nature of images is no longer problematic. Perhaps it is more than ever.&#38;nbsp;Ontologically, the question would be what kind of being among beings is an image: what is my profile picture, what is the public image of a ruler, what do I see from the newscast on television;&#38;nbsp;And epistemologically, the question would be what kind of information can I extract from the image, and how much of that information do I provide myself, is in my own gaze and (as we said before) mirrors me.

I believe that one of the merits of Cumulus&#38;nbsp;is to forcefully install this disturbance inherent in images.&#38;nbsp;In a cultural context eager to rush towards an&#38;nbsp;increasingly savage&#38;nbsp;disembodiment&#38;nbsp;,&#38;nbsp;Cumulus&#38;nbsp;is an annoying work.&#38;nbsp;The horrendous image is halfway between the material surface of the work and my own gaze.&#38;nbsp;It is between the bodies, like a spectrum that runs through the world while everything rots.&#38;nbsp;Or while everything rots.

 





</description>
		
	</item>
		
		
	<item>
		<title>Hypertelia </title>
				
		<link>https://lucaspisano.art/Hypertelia</link>

		<pubDate>Mon, 13 Jul 2020 20:41:09 +0000</pubDate>

		<dc:creator>Lucas Pisano</dc:creator>

		<guid isPermaLink="true">https://lucaspisano.art/Hypertelia</guid>

		<description>
	










 


Grease impregnation on paper
Hypertelia

2016 - 2019

	

︎︎



&#60;img width="1128" height="1575" width_o="1128" height_o="1575" data-src="https://freight.cargo.site/t/original/i/651e0c770da7c83d5591ea06e99ca917865a0ebfc71459273e5430da11823d8c/10.jpg" data-mid="77380341" border="0"  src="https://freight.cargo.site/w/1000/i/651e0c770da7c83d5591ea06e99ca917865a0ebfc71459273e5430da11823d8c/10.jpg" /&#62;


Graphite grease on paper. 35 x&#38;nbsp; 50 cm. 2019










	
&#60;img width="1113" height="1575" width_o="1113" height_o="1575" data-src="https://freight.cargo.site/t/original/i/c2d246f442a5ad9e05da7f60e9391e85d08ec717609de70e3c1b4f656209c5c2/11.jpg" data-mid="77380342" border="0"  src="https://freight.cargo.site/w/1000/i/c2d246f442a5ad9e05da7f60e9391e85d08ec717609de70e3c1b4f656209c5c2/11.jpg" /&#62;
&#60;img width="1135" height="1575" width_o="1135" height_o="1575" data-src="https://freight.cargo.site/t/original/i/57f698948146158fda4c9028dad055ac21140218bf01f3b5dc657e7f68203ea5/12.jpg" data-mid="77380343" border="0"  src="https://freight.cargo.site/w/1000/i/57f698948146158fda4c9028dad055ac21140218bf01f3b5dc657e7f68203ea5/12.jpg" /&#62;
&#60;img width="1110" height="1575" width_o="1110" height_o="1575" data-src="https://freight.cargo.site/t/original/i/3328dc4f9ae97d4f8dbb0a4f5233fc8312322bf163b7c006d20618536105e0fe/15.jpg" data-mid="77380347" border="0"  src="https://freight.cargo.site/w/1000/i/3328dc4f9ae97d4f8dbb0a4f5233fc8312322bf163b7c006d20618536105e0fe/15.jpg" /&#62;
&#60;img width="1125" height="1575" width_o="1125" height_o="1575" data-src="https://freight.cargo.site/t/original/i/12e14f324f7c101675574f904f66f005ed5dff4ecb106c2f5c410b7468499ff5/16.jpg" data-mid="77380340" border="0"  src="https://freight.cargo.site/w/1000/i/12e14f324f7c101675574f904f66f005ed5dff4ecb106c2f5c410b7468499ff5/16.jpg" /&#62;
&#60;img width="1109" height="1575" width_o="1109" height_o="1575" data-src="https://freight.cargo.site/t/original/i/ee94f4653ec1321c07d30b98921168323a7ed6cc70aab3c238e3510f7095f5ae/13.jpg" data-mid="77380345" border="0"  src="https://freight.cargo.site/w/1000/i/ee94f4653ec1321c07d30b98921168323a7ed6cc70aab3c238e3510f7095f5ae/13.jpg" /&#62;
&#60;img width="1120" height="1575" width_o="1120" height_o="1575" data-src="https://freight.cargo.site/t/original/i/c3fa828f550fc59affa7e9ac7604ff83cc02be21041c781ccdf7e0397f430d7e/14.jpg" data-mid="77380346" border="0"  src="https://freight.cargo.site/w/1000/i/c3fa828f550fc59affa7e9ac7604ff83cc02be21041c781ccdf7e0397f430d7e/14.jpg" /&#62;


	

Graphite grease on paper. 35 x&#38;nbsp; 50 cm. 2019














&#60;img width="1969" height="1429" width_o="1969" height_o="1429" data-src="https://freight.cargo.site/t/original/i/49df304f3cf5d22cba8772744ac3033396dc1c389528240c1045e82aa7081990/H-01.jpg" data-mid="77380268" border="0"  src="https://freight.cargo.site/w/1000/i/49df304f3cf5d22cba8772744ac3033396dc1c389528240c1045e82aa7081990/H-01.jpg" /&#62;
&#60;img width="1969" height="1428" width_o="1969" height_o="1428" data-src="https://freight.cargo.site/t/original/i/7844b0fd55a3b14d9555984a12a996c91bda5357e0e3dcd9ba4692c2520a97ec/H04b.jpg" data-mid="77380270" border="0"  src="https://freight.cargo.site/w/1000/i/7844b0fd55a3b14d9555984a12a996c91bda5357e0e3dcd9ba4692c2520a97ec/H04b.jpg" /&#62;
&#60;img width="1969" height="1457" width_o="1969" height_o="1457" data-src="https://freight.cargo.site/t/original/i/12625693c536f2a152265f20b92558eb16eacae44ceeba65f8c2d83b07b1aec5/H03.jpg" data-mid="77380269" border="0"  src="https://freight.cargo.site/w/1000/i/12625693c536f2a152265f20b92558eb16eacae44ceeba65f8c2d83b07b1aec5/H03.jpg" /&#62;
&#60;img width="1575" height="1146" width_o="1575" height_o="1146" data-src="https://freight.cargo.site/t/original/i/d9f68e623e9b579d68eb98d7af9592b69a6edbf6fe523d1e7b5ff6b4ab14b8fd/H5.jpg" data-mid="77380272" border="0"  src="https://freight.cargo.site/w/1000/i/d9f68e623e9b579d68eb98d7af9592b69a6edbf6fe523d1e7b5ff6b4ab14b8fd/H5.jpg" /&#62;


Graphite grease on paper. 30 x&#38;nbsp; 40 cm. 2017







&#60;img width="1154" height="1575" width_o="1154" height_o="1575" data-src="https://freight.cargo.site/t/original/i/3fd20c29402a2e04c16614d88b6fa796411efe70dd5f7039bb2e225ea28c7f5d/P01.jpg" data-mid="77380265" border="0"  src="https://freight.cargo.site/w/1000/i/3fd20c29402a2e04c16614d88b6fa796411efe70dd5f7039bb2e225ea28c7f5d/P01.jpg" /&#62;
&#60;img width="1150" height="1575" width_o="1150" height_o="1575" data-src="https://freight.cargo.site/t/original/i/326e5aed1f040f70fff4b26fb725c5b332ded34968aa1d494d029192d0469de8/P02.jpg" data-mid="77380266" border="0"  src="https://freight.cargo.site/w/1000/i/326e5aed1f040f70fff4b26fb725c5b332ded34968aa1d494d029192d0469de8/P02.jpg" /&#62;
&#60;img width="1142" height="1575" width_o="1142" height_o="1575" data-src="https://freight.cargo.site/t/original/i/6ab8b01502c574e4138a90f063e46791165d60b4e2537523924d7ecfa8fb731e/P03.jpg" data-mid="77380267" border="0"  src="https://freight.cargo.site/w/1000/i/6ab8b01502c574e4138a90f063e46791165d60b4e2537523924d7ecfa8fb731e/P03.jpg" /&#62;


Graphite grease on paper. 16 x&#38;nbsp; 22 cm. 2016







&#60;img width="1107" height="1575" width_o="1107" height_o="1575" data-src="https://freight.cargo.site/t/original/i/19fb3a91dc12ad9b5213d1cb49647b28c2ded59eb5038ba6fa8dbf8073927bc6/April-Ashley.jpg" data-mid="77862936" border="0"  src="https://freight.cargo.site/w/1000/i/19fb3a91dc12ad9b5213d1cb49647b28c2ded59eb5038ba6fa8dbf8073927bc6/April-Ashley.jpg" /&#62;





APRIL ASHLEY - Graphite grease on paper. 16,5 x 24 cm. 2016

</description>
		
	</item>
		
		
	<item>
		<title>Cartography</title>
				
		<link>https://lucaspisano.art/Cartography</link>

		<pubDate>Sat, 25 Jul 2020 15:39:27 +0000</pubDate>

		<dc:creator>Lucas Pisano</dc:creator>

		<guid isPermaLink="true">https://lucaspisano.art/Cartography</guid>

		<description>
	








Grease impregnation on paper


Cartography
2016
	︎︎











&#60;img width="1969" height="1462" width_o="1969" height_o="1462" data-src="https://freight.cargo.site/t/original/i/5d4958e346c473263093a038b56fd8ec6e54b0912109e403492a3cdf9105447d/M02.jpg" data-mid="78322492" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/5d4958e346c473263093a038b56fd8ec6e54b0912109e403492a3cdf9105447d/M02.jpg" /&#62;
&#60;img width="1969" height="1489" width_o="1969" height_o="1489" data-src="https://freight.cargo.site/t/original/i/4a35265e7f4e6ac421c10ebf82b62f11dfad92df139d70ca2c08de567a4dd6da/M01.jpg" data-mid="78322491" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/4a35265e7f4e6ac421c10ebf82b62f11dfad92df139d70ca2c08de567a4dd6da/M01.jpg" /&#62;

&#60;img width="1969" height="1490" width_o="1969" height_o="1490" data-src="https://freight.cargo.site/t/original/i/2e44517f3999d872c74987fcab3960598dde91efe840ed8adfff364a091d9cee/M03.jpg" data-mid="78322493" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/2e44517f3999d872c74987fcab3960598dde91efe840ed8adfff364a091d9cee/M03.jpg" /&#62;

Graphite grease on paper. 18 x 26 cm.


</description>
		
	</item>
		
		
	<item>
		<title>Materials for an auction</title>
				
		<link>https://lucaspisano.art/Materials-for-an-auction</link>

		<pubDate>Sat, 25 Jul 2020 15:39:17 +0000</pubDate>

		<dc:creator>Lucas Pisano</dc:creator>

		<guid isPermaLink="true">https://lucaspisano.art/Materials-for-an-auction</guid>

		<description>
	










Grease impregnation on paper


Materials for

  an auction
2017
	











︎︎











POLYPTYCH - Graphite grease on paper. 16 x 19,5 cm. 2017



	









&#60;img width="756" height="1134" width_o="756" height_o="1134" data-src="https://freight.cargo.site/t/original/i/ec75137867d8a9508e7775ea87ad084c0cb3fab71bfa1ab2c74bd64c8b57c0c8/05.jpg" data-mid="78322487" border="0"  src="https://freight.cargo.site/w/756/i/ec75137867d8a9508e7775ea87ad084c0cb3fab71bfa1ab2c74bd64c8b57c0c8/05.jpg" /&#62;
&#60;img width="756" height="1134" width_o="756" height_o="1134" data-src="https://freight.cargo.site/t/original/i/d77f0805edf1a66adff1566d8bc492704eed1928001a6da818cf26f0e6f18d79/01.jpg" data-mid="78322483" border="0"  src="https://freight.cargo.site/w/756/i/d77f0805edf1a66adff1566d8bc492704eed1928001a6da818cf26f0e6f18d79/01.jpg" /&#62;
&#60;img width="748" height="1134" width_o="748" height_o="1134" data-src="https://freight.cargo.site/t/original/i/2f932c4b9754e5c9dea390b5ef7e971bd42e798c715364febe68a42c1b1f598f/04.jpg" data-mid="78322486" border="0"  src="https://freight.cargo.site/w/748/i/2f932c4b9754e5c9dea390b5ef7e971bd42e798c715364febe68a42c1b1f598f/04.jpg" /&#62;
&#60;img width="751" height="1134" width_o="751" height_o="1134" data-src="https://freight.cargo.site/t/original/i/d8750ce6af8689acb999665fac14c1eaba435857f98f2664af65eb9a88c77708/03.jpg" data-mid="78322485" border="0"  src="https://freight.cargo.site/w/751/i/d8750ce6af8689acb999665fac14c1eaba435857f98f2664af65eb9a88c77708/03.jpg" /&#62;
&#60;img width="743" height="1134" width_o="743" height_o="1134" data-src="https://freight.cargo.site/t/original/i/8e1faa78609c1236ddc556e6dada67a231ac09bffeaac76b1ac317528b567714/02.jpg" data-mid="78322484" border="0"  src="https://freight.cargo.site/w/743/i/8e1faa78609c1236ddc556e6dada67a231ac09bffeaac76b1ac317528b567714/02.jpg" /&#62;
&#60;img width="748" height="1134" width_o="748" height_o="1134" data-src="https://freight.cargo.site/t/original/i/ba5d9f55b76234bd7b10dadbc7625571894fc9c28fbae51aa8e8c9d847bf417b/06.jpg" data-mid="78322488" border="0"  src="https://freight.cargo.site/w/748/i/ba5d9f55b76234bd7b10dadbc7625571894fc9c28fbae51aa8e8c9d847bf417b/06.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>C.A. Construction (asystematic)</title>
				
		<link>https://lucaspisano.art/C-A-Construction-asystematic</link>

		<pubDate>Wed, 22 Jun 2022 12:10:58 +0000</pubDate>

		<dc:creator>Lucas Pisano</dc:creator>

		<guid isPermaLink="true">https://lucaspisano.art/C-A-Construction-asystematic</guid>

		<description>
	

























C.A. 

Construction (asystematic) of "The blow never gets where we expect it"







Book edited in facsimile format by publisher Transfolía Express (2020)



	











︎︎



	&#60;img width="1575" height="1113" width_o="1575" height_o="1113" data-src="https://freight.cargo.site/t/original/i/0fd37023b8496c96322e79e8a43eb21722f561ecd7b06f0663a02aa7437869e0/PAG15C1.jpg" data-mid="146105310" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/0fd37023b8496c96322e79e8a43eb21722f561ecd7b06f0663a02aa7437869e0/PAG15C1.jpg" /&#62;


	





Constructio (asistematic). It was born from the graphic investigation of various scenic approaches, thought as maps (projects) of a space that would combine performance, installation, art and audiovisual art.Made from collage, the maps were called machines ("Dysfunctional communication machine or Machine of war"; "Absorption machine or urbanization is worth it"; "Machine ofOsisify luminous or clarify the shape). In the process of creating in the two-dimensional space, these designs gained so much autonomy, generating a body of work that was transformed over time into a book.




&#60;img width="886" height="664" width_o="886" height_o="664" data-src="https://freight.cargo.site/t/original/i/a86140af34c4d500078197d9090305c5865e55b6eb339de8333251b7733c8969/03.jpg" data-mid="146105285" border="0" data-scale="100" src="https://freight.cargo.site/w/886/i/a86140af34c4d500078197d9090305c5865e55b6eb339de8333251b7733c8969/03.jpg" /&#62;


	





The cartographic preparation of a territory of diverse offers available to a spectator-reader, allows us to travel through a territory-machine that is a spawn of fragments within which a biopolitical social laboratory can be named, a body on the run, a sewing workshop, a migrant detention center, a feed lot, a call center, a leg with feathers, a factory, a video game, a gym, an educated demanded body sexualized capitalized.

 

&#60;img width="929" height="656" width_o="929" height_o="656" data-src="https://freight.cargo.site/t/original/i/55f2164b8da253b7b7da7a9cf3109faf77349b2f13f3235993eb2150adde850d/Pag-79-Mquina-de-segar.jpg" data-mid="146105317" border="0"  src="https://freight.cargo.site/w/929/i/55f2164b8da253b7b7da7a9cf3109faf77349b2f13f3235993eb2150adde850d/Pag-79-Mquina-de-segar.jpg" /&#62;










	




This mapping takes us throughthree zones: 
Zone 1 City / Zone 2 Selfie / Zone 3 Endoscopic


&#60;img width="1575" height="1112" width_o="1575" height_o="1112" data-src="https://freight.cargo.site/t/original/i/c86cb3feb8c6f84f7265cf2c269e73d942cf0e6c0bc78ab03584735a857873de/Pag-24-25-REVERSO-copia.jpg" data-mid="146105309" border="0"  src="https://freight.cargo.site/w/1000/i/c86cb3feb8c6f84f7265cf2c269e73d942cf0e6c0bc78ab03584735a857873de/Pag-24-25-REVERSO-copia.jpg" /&#62;
&#60;img width="1575" height="1116" width_o="1575" height_o="1116" data-src="https://freight.cargo.site/t/original/i/698e6302bb26e7f3e514b8c7390088eed298cb3e6bef58c04425acb3dce18e65/Pag-23-26-FRENTE-copia.jpg" data-mid="146105308" border="0"  src="https://freight.cargo.site/w/1000/i/698e6302bb26e7f3e514b8c7390088eed298cb3e6bef58c04425acb3dce18e65/Pag-23-26-FRENTE-copia.jpg" /&#62;
&#60;img width="1575" height="1108" width_o="1575" height_o="1108" data-src="https://freight.cargo.site/t/original/i/55b81cffe3cc4840f2b409073a3c729a429103ee44df17add995174742f8bd81/Pag-22-27-REVERSO-copia.jpg" data-mid="146105307" border="0"  src="https://freight.cargo.site/w/1000/i/55b81cffe3cc4840f2b409073a3c729a429103ee44df17add995174742f8bd81/Pag-22-27-REVERSO-copia.jpg" /&#62;

























In each zone there are different control circuits, buttons (play / stop, etc.) which are at the service of the reader and which operate as an invitation to accept, to brake, to update, to let go of everything or to applaud. They are supports for relaxation, recreation or bodily dilation.






&#60;img width="1575" height="557" width_o="1575" height_o="557" data-src="https://freight.cargo.site/t/original/i/56ac9247a7467276b2e56944da64c4f01f90ea8d69986824ead960bdc699f5fc/Pag-35-36-37-38-b-copia.jpg" data-mid="146105311" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/56ac9247a7467276b2e56944da64c4f01f90ea8d69986824ead960bdc699f5fc/Pag-35-36-37-38-b-copia.jpg" /&#62;






















The logic of the remote control with its own iconography is incorporated into the cartography, signage that will be the "clarity" floor to inhabit and transit the book machine. For the same purpose of providing "clarity", several appendices are attached to each of the machines. These peripherally linked external organs result in a foreign body that exceeds its sole mission, which must be clear.








&#60;img width="886" height="664" width_o="886" height_o="664" data-src="https://freight.cargo.site/t/original/i/5880deaf424e9ea824c0f6b3e7e4c4215dbe64cc061ca84adf8d4967c3647c8c/01.jpg" data-mid="146105301" border="0"  src="https://freight.cargo.site/w/886/i/5880deaf424e9ea824c0f6b3e7e4c4215dbe64cc061ca84adf8d4967c3647c8c/01.jpg" /&#62;
&#60;img width="886" height="664" width_o="886" height_o="664" data-src="https://freight.cargo.site/t/original/i/a86140af34c4d500078197d9090305c5865e55b6eb339de8333251b7733c8969/03.jpg" data-mid="146105285" border="0"  src="https://freight.cargo.site/w/886/i/a86140af34c4d500078197d9090305c5865e55b6eb339de8333251b7733c8969/03.jpg" /&#62;
&#60;img width="886" height="664" width_o="886" height_o="664" data-src="https://freight.cargo.site/t/original/i/25d88750043d383e842d6e24021b5bb6c67f9e2d29db39cea57997f9a5c28b0c/11.jpg" data-mid="146105299" border="0"  src="https://freight.cargo.site/w/886/i/25d88750043d383e842d6e24021b5bb6c67f9e2d29db39cea57997f9a5c28b0c/11.jpg" /&#62;
&#60;img width="886" height="664" width_o="886" height_o="664" data-src="https://freight.cargo.site/t/original/i/cf00f14d3d81bc2223fd7425e9ec58afe19fbcaa2921d0773281c742d290eb7d/12.jpg" data-mid="146105298" border="0"  src="https://freight.cargo.site/w/886/i/cf00f14d3d81bc2223fd7425e9ec58afe19fbcaa2921d0773281c742d290eb7d/12.jpg" /&#62;
&#60;img width="886" height="664" width_o="886" height_o="664" data-src="https://freight.cargo.site/t/original/i/495388c8ba7a710a11e8dfae2bce251828a53e927a02c01b64e900e6b884d1ae/DSC00169.jpg" data-mid="146105300" border="0"  src="https://freight.cargo.site/w/886/i/495388c8ba7a710a11e8dfae2bce251828a53e927a02c01b64e900e6b884d1ae/DSC00169.jpg" /&#62;
&#60;img width="886" height="627" width_o="886" height_o="627" data-src="https://freight.cargo.site/t/original/i/1e4c98b8a438bdcfc624d8975f960a67de9cbc8b2e66c779553c19e5d14d8fa1/PAG1072.jpg" data-mid="146105304" border="0"  src="https://freight.cargo.site/w/886/i/1e4c98b8a438bdcfc624d8975f960a67de9cbc8b2e66c779553c19e5d14d8fa1/PAG1072.jpg" /&#62;
&#60;img width="1772" height="1252" width_o="1772" height_o="1252" data-src="https://freight.cargo.site/t/original/i/c9a75db9d8d117239fa095dbbaa6dc1cb1030fdefe135084f679ef7e283e3e96/Pag-87-90-FRENTE-copia.jpg" data-mid="146105297" border="0"  src="https://freight.cargo.site/w/1000/i/c9a75db9d8d117239fa095dbbaa6dc1cb1030fdefe135084f679ef7e283e3e96/Pag-87-90-FRENTE-copia.jpg" /&#62;
&#60;img width="1772" height="1252" width_o="1772" height_o="1252" data-src="https://freight.cargo.site/t/original/i/0e3075017ccfc876c5acf26ed7a60076b0f86634619c81280f87d2c730e85bbe/Pag-84-93-REVERSO-copia.jpg" data-mid="146105295" border="0"  src="https://freight.cargo.site/w/1000/i/0e3075017ccfc876c5acf26ed7a60076b0f86634619c81280f87d2c730e85bbe/Pag-84-93-REVERSO-copia.jpg" /&#62;
&#60;img width="886" height="1252" width_o="886" height_o="1252" data-src="https://freight.cargo.site/t/original/i/85ce32daef956ac7133607496fe7a3a9707a834c576043a6cd54924d81fd3213/Pag-127-128-129-130-copia.jpg" data-mid="146105296" border="0"  src="https://freight.cargo.site/w/886/i/85ce32daef956ac7133607496fe7a3a9707a834c576043a6cd54924d81fd3213/Pag-127-128-129-130-copia.jpg" /&#62;
&#60;img width="886" height="624" width_o="886" height_o="624" data-src="https://freight.cargo.site/t/original/i/9e95776a68eb74228ecbb3aea8d7dfe73068a7fbb89847d22e700204b1fede16/Pag-103-104-105-106-copia.jpg" data-mid="146105302" border="0"  src="https://freight.cargo.site/w/886/i/9e95776a68eb74228ecbb3aea8d7dfe73068a7fbb89847d22e700204b1fede16/Pag-103-104-105-106-copia.jpg" /&#62;
&#60;img width="886" height="625" width_o="886" height_o="625" data-src="https://freight.cargo.site/t/original/i/4dacdc7fdde07cfc13aa76a9fd17c0d9ba6adc4ee6af4d41c66d3d164cf48d3c/Pag-116-121-REVERSO-copia.jpg" data-mid="146105303" border="0"  src="https://freight.cargo.site/w/886/i/4dacdc7fdde07cfc13aa76a9fd17c0d9ba6adc4ee6af4d41c66d3d164cf48d3c/Pag-116-121-REVERSO-copia.jpg" /&#62;
&#60;img width="886" height="627" width_o="886" height_o="627" data-src="https://freight.cargo.site/t/original/i/44a5909c8c9b2cbadcb6b64eabb1057598938deb367364a56a5cac4985e15f64/Pag-136-149-REVERSO-copia.jpg" data-mid="146105290" border="0"  src="https://freight.cargo.site/w/886/i/44a5909c8c9b2cbadcb6b64eabb1057598938deb367364a56a5cac4985e15f64/Pag-136-149-REVERSO-copia.jpg" /&#62;
&#60;img width="886" height="627" width_o="886" height_o="627" data-src="https://freight.cargo.site/t/original/i/fe1e8659fbfb290cfdcc4d9c6dc0d914fa5e3ab2952f2a132bdcb6b011e8d1ee/Pag-137-148-FRENTE-copia.jpg" data-mid="146105305" border="0"  src="https://freight.cargo.site/w/886/i/fe1e8659fbfb290cfdcc4d9c6dc0d914fa5e3ab2952f2a132bdcb6b011e8d1ee/Pag-137-148-FRENTE-copia.jpg" /&#62;
&#60;img width="886" height="627" width_o="886" height_o="627" data-src="https://freight.cargo.site/t/original/i/665423d45e63fed66c2757520135be886c024e57f42195d473c99e79abed12bd/Pag-138.jpg" data-mid="146105294" border="0"  src="https://freight.cargo.site/w/886/i/665423d45e63fed66c2757520135be886c024e57f42195d473c99e79abed12bd/Pag-138.jpg" /&#62;
&#60;img width="886" height="627" width_o="886" height_o="627" data-src="https://freight.cargo.site/t/original/i/1a0b4e60a630d4826c1000c8d2dc58a9c9c6779b9d5ae0d4aee1a965f8fe4f9e/Pag-139.jpg" data-mid="146105292" border="0"  src="https://freight.cargo.site/w/886/i/1a0b4e60a630d4826c1000c8d2dc58a9c9c6779b9d5ae0d4aee1a965f8fe4f9e/Pag-139.jpg" /&#62;
&#60;img width="946" height="627" width_o="946" height_o="627" data-src="https://freight.cargo.site/t/original/i/99fa0dfdce70ee7ef8ab9ddd9a86ddd816b93d3dce2f45f6684096fa86f5c3b8/Pag-140.jpg" data-mid="146105293" border="0"  src="https://freight.cargo.site/w/946/i/99fa0dfdce70ee7ef8ab9ddd9a86ddd816b93d3dce2f45f6684096fa86f5c3b8/Pag-140.jpg" /&#62;
&#60;img width="886" height="627" width_o="886" height_o="627" data-src="https://freight.cargo.site/t/original/i/d393b970a2013df8311a9921f768350f259df38e808c4af7d4cae03645e1e2d6/Pag-141.jpg" data-mid="146105291" border="0"  src="https://freight.cargo.site/w/886/i/d393b970a2013df8311a9921f768350f259df38e808c4af7d4cae03645e1e2d6/Pag-141.jpg" /&#62;
&#60;img width="886" height="627" width_o="886" height_o="627" data-src="https://freight.cargo.site/t/original/i/1765aa31a57c8c4c6ab246b053282daf2b5cd0c300e0639c155bb2bca5b8e9b3/Pag-142.jpg" data-mid="146105289" border="0"  src="https://freight.cargo.site/w/886/i/1765aa31a57c8c4c6ab246b053282daf2b5cd0c300e0639c155bb2bca5b8e9b3/Pag-142.jpg" /&#62;
&#60;img width="886" height="627" width_o="886" height_o="627" data-src="https://freight.cargo.site/t/original/i/637febd985a22be23b7ddb07cb4c64deb7729535a0116de607536067c0db7444/Pag-144.jpg" data-mid="146105288" border="0"  src="https://freight.cargo.site/w/886/i/637febd985a22be23b7ddb07cb4c64deb7729535a0116de607536067c0db7444/Pag-144.jpg" /&#62;
&#60;img width="886" height="631" width_o="886" height_o="631" data-src="https://freight.cargo.site/t/original/i/5ea61f33728d927bec8bbc8a2d351a2ca1b1538276ba120520410d0099b46dae/TAPtaA01b-copia.jpg" data-mid="146105286" border="0"  src="https://freight.cargo.site/w/886/i/5ea61f33728d927bec8bbc8a2d351a2ca1b1538276ba120520410d0099b46dae/TAPtaA01b-copia.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Construction Installation</title>
				
		<link>https://lucaspisano.art/Construction-Installation</link>

		<pubDate>Sat, 25 Jul 2020 19:26:11 +0000</pubDate>

		<dc:creator>Lucas Pisano</dc:creator>

		<guid isPermaLink="true">https://lucaspisano.art/Construction-Installation</guid>

		<description>
	








 Construction (asystematic) N°11 of

"The blow never gets where we expect it"
Machine of the chas chas tanning a whole without doubts

2014


	











︎︎




 
	
Installation variable measures, techniques and mixed materials.

  Exposed in the NATIONAL FUND OF THE ARTS Bs As. Argentina within the group show "Off-center routes / 12 rounds for an unsuspecting walker"

March - April 2014





&#60;img width="2409" height="1606" width_o="2409" height_o="1606" data-src="https://freight.cargo.site/t/original/i/82b3dd914976874b895c3bc174710aa0f159766d334664d40267c0145188a1eb/Construccion-copia.jpg" data-mid="78334390" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/82b3dd914976874b895c3bc174710aa0f159766d334664d40267c0145188a1eb/Construccion-copia.jpg" /&#62;


File ︎ ︎ https://youtu.be/zFwMtRW-ktY</description>
		
	</item>
		
		
	<item>
		<title>Heliotropic Experiment</title>
				
		<link>https://lucaspisano.art/Heliotropic-Experiment</link>

		<pubDate>Sun, 26 Jul 2020 22:51:22 +0000</pubDate>

		<dc:creator>Lucas Pisano</dc:creator>

		<guid isPermaLink="true">https://lucaspisano.art/Heliotropic-Experiment</guid>

		<description>
	








Heliotropic Experiment
Instant composition audio-visual machine

2010 - 2012
 






	











︎︎






 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 



	



From 2010 to 2012 E.H. formed a research group on audio-visual performance.

&#60;img width="640" height="480" width_o="640" height_o="480" data-src="https://freight.cargo.site/t/original/i/2b5e699487e81342b7935a962925cfd9328d2687f2b7842c2b531ae4f8016963/05.jpg" data-mid="78402969" border="0"  src="https://freight.cargo.site/w/640/i/2b5e699487e81342b7935a962925cfd9328d2687f2b7842c2b531ae4f8016963/05.jpg" /&#62;
The research nucleus consisted of the composition of blocks
sound - visual - scenic in the present tense, through a device that
hybridized elements of cinema, music, plastic art and theater.&#38;nbsp;Its objective consisted in the construction of a story without logical linkage, which displayed a temporality typical of instantaneous composition.The screen is the element that enlarges the scale of what is happening on a blackboard (Map of coexistence or Battle Plan] of sounds, strokes, chords, icons, melodies, symbols, musical jingles, cameras that film other cameras , Fragments that are not recognized as such. The viewer shares the same search - of plot, consistency or meaning - in which the actors participate: moments, paths that are established or run away or disintegrate or explode.
The experiment proceeds by alternating chaos and consistency, chaos and consistency, chaos and consistency.

Idea and realization: Sebastián Scocchera, Lucas Pisano, Patricio Suárez, Lorenzo Basurto y Hernán Regueiro.
  
	
&#60;img width="1600" height="1066" width_o="1600" height_o="1066" data-src="https://freight.cargo.site/t/original/i/1a8ad8236d03952be3c8aec02cb7365abdad6f4f92cfa86a73756c48b30cc68b/IMG_0922.JPG" data-mid="78402967" border="0"  src="https://freight.cargo.site/w/1000/i/1a8ad8236d03952be3c8aec02cb7365abdad6f4f92cfa86a73756c48b30cc68b/IMG_0922.JPG" /&#62;
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&#60;img width="1575" height="1050" width_o="1575" height_o="1050" data-src="https://freight.cargo.site/t/original/i/c7c993b4e04b224ca00d08723ce83b41e5379199bafb919690818918e27fdefe/02.jpg" data-mid="78402981" border="0"  src="https://freight.cargo.site/w/1000/i/c7c993b4e04b224ca00d08723ce83b41e5379199bafb919690818918e27fdefe/02.jpg" /&#62;
&#60;img width="1181" height="787" width_o="1181" height_o="787" data-src="https://freight.cargo.site/t/original/i/a27c80a0ef17a9f5691c9a0d0aa595ae35728da81e4f8bc46fa11bfb259016b0/IMG_0975.jpg" data-mid="78402970" border="0"  src="https://freight.cargo.site/w/1000/i/a27c80a0ef17a9f5691c9a0d0aa595ae35728da81e4f8bc46fa11bfb259016b0/IMG_0975.jpg" /&#62;
&#60;img width="1181" height="787" width_o="1181" height_o="787" data-src="https://freight.cargo.site/t/original/i/12b8a64e4fb9e761237ecde3d863adfd948d0a4eb594c354e87b20052aad40c2/IMG_0906.jpg" data-mid="78402965" border="0"  src="https://freight.cargo.site/w/1000/i/12b8a64e4fb9e761237ecde3d863adfd948d0a4eb594c354e87b20052aad40c2/IMG_0906.jpg" /&#62;
&#60;img width="591" height="395" width_o="591" height_o="395" data-src="https://freight.cargo.site/t/original/i/e680c2169844e941761cf8741f50542f6a911de82b3e72e89011ba0bbd219940/IMG_5307.jpg" data-mid="78402975" border="0"  src="https://freight.cargo.site/w/591/i/e680c2169844e941761cf8741f50542f6a911de82b3e72e89011ba0bbd219940/IMG_5307.jpg" /&#62;
&#60;img width="787" height="1181" width_o="787" height_o="1181" data-src="https://freight.cargo.site/t/original/i/2963929616624d0dacef5386e1a76848a52f6e65ffd3500a7ce0e113fd50f25d/IMG_0879.jpg" data-mid="78402964" border="0"  src="https://freight.cargo.site/w/787/i/2963929616624d0dacef5386e1a76848a52f6e65ffd3500a7ce0e113fd50f25d/IMG_0879.jpg" /&#62;
&#60;img width="1181" height="787" width_o="1181" height_o="787" data-src="https://freight.cargo.site/t/original/i/6fdcfe7b377d0a3cc41b483a83cdcd1fc1898c50e1cedcf90d7959a8f28cef1c/IMG_1007.jpg" data-mid="78402962" border="0"  src="https://freight.cargo.site/w/1000/i/6fdcfe7b377d0a3cc41b483a83cdcd1fc1898c50e1cedcf90d7959a8f28cef1c/IMG_1007.jpg" /&#62;
&#60;img width="1181" height="787" width_o="1181" height_o="787" data-src="https://freight.cargo.site/t/original/i/21ee9767d2ca8873abfc83fc02fb91b2eeee85c39bcc17e7fd0097b946c5dabc/IMG_0947.jpg" data-mid="78402972" border="0"  src="https://freight.cargo.site/w/1000/i/21ee9767d2ca8873abfc83fc02fb91b2eeee85c39bcc17e7fd0097b946c5dabc/IMG_0947.jpg" /&#62;
&#60;img width="1181" height="787" width_o="1181" height_o="787" data-src="https://freight.cargo.site/t/original/i/cb18eab819df667a4fe88d29a59a31336b704eb2f11c5b64140b912e85e0ead5/IMG_0995.jpg" data-mid="78402974" border="0"  src="https://freight.cargo.site/w/1000/i/cb18eab819df667a4fe88d29a59a31336b704eb2f11c5b64140b912e85e0ead5/IMG_0995.jpg" /&#62;
&#60;img width="640" height="480" width_o="640" height_o="480" data-src="https://freight.cargo.site/t/original/i/2cdab6c8c265dfe59f8294b510d6a6b2496c037d84aeb35e22aa1c2d47492344/0030-Jueves.jpg" data-mid="78402979" border="0"  src="https://freight.cargo.site/w/640/i/2cdab6c8c265dfe59f8294b510d6a6b2496c037d84aeb35e22aa1c2d47492344/0030-Jueves.jpg" /&#62;
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Archive: ︎
︎ Performance en Casa Tinogasta / 03-11-2011 / Buenos AiresLucas Pisano: BoardSebastian Scocchera: keyboard, percussion, voice, piano and accessories.Lorenzo Basurto: saxophone, Chaos padHernan Regueiro: trumpet, bass and accessoriesPatricio Suarez: Guitar, voice, loopera and accessories

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		<title>Use and abuse</title>
				
		<link>https://lucaspisano.art/Use-and-abuse</link>

		<pubDate>Sun, 26 Jul 2020 23:04:21 +0000</pubDate>

		<dc:creator>Lucas Pisano</dc:creator>

		<guid isPermaLink="true">https://lucaspisano.art/Use-and-abuse</guid>

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Use and abuse
2008


 






	












︎︎


	
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USE AND ABUSE. Oil pastel on paper. 35 x 50 cm.


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Gallery Pasaje 17 Contemporary art. 2010

. Buenos Aires. Argentina



	

Text for the exhibition in Gallery Pasaje 17 Contemporary art. 2010


Use and abuse of the color of the bodies, or of the color bodies.Use and abuse of re-re-presentation, to and from the farce, positioned for the photo, a failure as a setting, a scenography, all por-sce-nography.Macabre beauties in small prints.All cosmetics in the oval: a harmonious composition of colors, or finally ejaculations, rapes, defecations, suicides, homicides, and the tourist pleasure of those who squint and enjoy the rainbow of shades of a massacre. Oh, color that you like so much !!! Especially contemplation. Always contemplation.
	
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